Thursday, December 13, 2007

New York Times Best 10 Books of 2007



MAN GONE DOWNBy Michael Thomas. Black Cat/Grove/Atlantic, paper, $14. This first novel explores the fragmented personal histories behind four desperate days in a black writer’s life.



OUT STEALING HORSESBy Per Petterson. Translated by Anne Born. Graywolf Press, $22. In this short yet spacious Norwegian novel, an Oslo professional hopes to cure his loneliness with a plunge into solitude.

THE SAVAGE DETECTIVESBy Roberto BolaƱo. Translated by Natasha Wimmer. Farrar, Straus & Giroux, $27. A craftily autobiographical novel about a band of literary guerrillas.


THEN WE CAME TO THE ENDBy Joshua Ferris. Little, Brown & Company, $23.99. Layoff notices fly in Ferris’s acidly funny first novel, set in a white-collar office in the wake of the dot-com debacle.


TREE OF SMOKEBy Denis Johnson. Farrar, Straus & Giroux, $27. The author of “Jesus’ Son” offers a soulful novel about the travails of a large cast of characters during the Vietnam War.



Nonfiction



IMPERIAL LIFE IN THE EMERALD CITY: Inside Iraq's Green Zone.By Rajiv Chandrasekaran. Alfred A. Knopf, $25.95; Vintage, paper, $14.95. The author, a Washington Post journalist, catalogs the arrogance and ineptitude that marked America’s governance of Iraq.


LITTLE HEATHENS: Hard Times and High Spirits on an Iowa Farm During the Great Depression.By Mildred Armstrong Kalish. Bantam Books, $22. Kalish’s soaring love for her childhood memories saturates this memoir, which coaxes the reader into joy, wonder and even envy.



THE NINE: Inside the Secret World of the Supreme Court.By Jeffrey Toobin. Doubleday, $27.95. An erudite outsider’s account of the cloistered court’s inner workings.

THE ORDEAL OF ELIZABETH MARSH: A Woman in World History.By Linda Colley. Pantheon Books, $27.50. Colley tracks the “compulsively itinerant” Marsh across the 18th century and several continents.



THE REST IS NOISE: Listening to the Twentieth Century.By Alex Ross. Farrar, Straus & Giroux, $30. In his own feat of orchestration, The New Yorker’s music critic presents a history of the last century as refracted through its classical music.


more here


So embarassed-lah. Have not read a single one.

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